Books

PUBLISHED 1 OCTOBER 2025

Brave New Wild

Can Technology Really Save the Planet?

A cohort of corporations and governments insist that geoengineering, nanotech and AI can solve our environmental crisis. But by bending nature to our will, could we break ourselves in the process?

Almost a century ago, Aldous Huxley’s Brave New World imagined a society founded on a radical idea. With eugenics and powerful pharmaceuticals, its rulers would engineer humans to fit the world they wanted to see, rather than build a society based on human needs. The result was a rational and efficient system. And the crushing of the human spirit.

Today, mired in an environmental crisis, our economic and political leaders are responding in the spirit of Huxley’s rulers. Instead of building societies that respect the natural world, they are investing in ways to remake nature. But channelling the same instrumental thinking that caused this crisis will only deepen it.

It is vital to challenge this vision and frame an alternative, predicated on a different idea of nature and our place within it. From the centuries-old traditions of some of the world’s first peoples, through to the nuclear industry’s careless mining of uranium, history is layered with insights into how humans have treated or mistreated the natural world, and how this can guide us forward. 

Inscribed in the ecological crisis is a mandate for a radical rethink. Cogent, insightful and bold, Brave New Wild will make you think about the planet, and our existence on it, in a new way.

Preorder the book here

Here Be Monsters

Is Technology Reducing Our Humanity?

‘King make[s] news out of culture, and without trivialising the second thing in favour of the first.’ Clive James, critic

‘Endlessly fascinating. An extraordinary inquiry into the hidden ways in which technology shapes and reshapes human being and our world, by one of our most stylish and elegant writers.’ Guy Rundle, journalist and critic

‘Like a cave-diver, Richard King steadily explores his way through the chambers of consequence that lie beneath, around, above and within our relationship with technology. Some are easily illuminated; others keep their shadows, but King sounds out the dimensions, the contours and the crags of this world in which human and machine are together becoming more and more submersed in unknown waters. Concerned and sceptical but not unjust, King surveys both the big innovations and the philosophical legacies of this tech age, somehow finding space for meditations on humanity, an astute grasp of upcoming invention, and the posing of fierce, urgent questions. It is, he says, “humanity’s ability to ask what is suitable – what is good, what is bad, what is progress, what is regress – that separates it from other species.” In this excellent, very readable, and laudably ambitious work, Richard King takes nothing for granted, but gives us a portrait of a species in the act of utterly changing itself, a terrible beauty being born.’ Kate Holden, journalist and author of the Walkley Award–winning The Winter Road

‘Technologies like artificial intelligence are changing our world. But all too often, technology is seen as destiny. Here Be Monsters is an important and engaging look at how these tools are using us, and how we must act to regain our essential humanity.’ Toby Walsh, chief scientist at UNSW AI Institute and the author of Machines Behaving Badly

Here Be Monsters asks us to resist the urge to damage our very nature to accommodate technology’s unchallenged march.’ Geordie Williamson, The Australian

Here Be Monsters is an intelligent and thoughtful meditation on the relationship between technology and humanity. Pulling together tech criticism, literary theory and history, King has created a text that is bigger than the sum of its parts. This thoroughly enjoyable text gives the reader the confidence to commit to a bold ambition for a more democratic technological future.’ Lizzie O’Shea, lawyer, activist and author of Future Histories and Empowering Women


We are in the midst of a technological revolution. Is it changing what it means to be human?

From genetic engineering to Chat GPT, from cybersex to cyberwar, and from mood-altering pharmaceuticals to the widespread automation of work, new technologies are rewriting the terms of our existence. We celebrate this as ‘progress’ but often these developments are in line with the priorities of power and profit. The bright young things of Silicon Valley celebrate their ability to ‘move fast and break things’. But what if new technologies are breaking us?

In this timely and provocative book, Richard King argues that modern societies need to develop a more critical attitude to new and emerging technologies. We need, he suggests, to rethink our relationship to our tools from a radically humanistic perspective, enlisting philosophy, anthropology and the arts in the fight against dehumanising machines. It is not enough to let the market decide which technologies are good for us. We need to ask what we want from technology. And the question of what we want is a question about who we are.

As science, technology and capitalism fuse, and activists and entrepreneurs talk openly of a ‘post-human’ future in which individuals will transform themselves using data and biotechnologies, we are entering unchartered territory – a territory marked with the mapmaker’s warning, Here Be Dragons … Here Be Monsters. It’s time for a lively conversation about humanity in tech-driven world.

Read an extract of Here Be Monsters in The Guardian.

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ON OFFENCE: THE POLITICS OF INDIGNATION

A lively and passionate defence of reasoned debate

Everyone has taken and given offence; anyone who claims they haven’t is either lying or uniquely tolerant. Yet in recent years, offence has become more than an expression of annoyance — it’s now a form of political currency. Politicians and religious leaders have mastered the art of indignation to motivate their supporters or deflect unwanted attention, and the news cycle has become increasingly dominated by reports on these tiny tempests.

In this provocative account, Richard King explores how the politics of offence is poisoning public debate. With hurt feelings being paraded like union banners, we’ve ushered in a new mood of censoriousness, self-pity, and self-righteousness. Unofficial censorship has even led to official censorship; blowing the dust off old blasphemy laws, we are moving forward into the past. Yet King contends that freedom of speech is meaningless without the freedom to offend, and that the claim to be offended should be the beginning of the argument, not the end of it.

Politeness is a noble quality, and decorum will always have its place. But when respect comes at the cost of honest criticism, it’s time for us to think again.

BUY THE BOOK HERE

 

THE REVIEWS:

‘An excellent insight into the growing culture of intolerance … On Offence should be required reading for all journalists, members of Parliament and anyone who gets offended on a regular basis.’

David Farrar, New Zealand Listener

‘One of the books of the year … an intellectual map for our times’

Martin Flanagan, Saturday Age

‘Lively … a bright and magnanimous reminder.’

Sunday Age

‘An extended essay of uncommon eloquence and brio.’

Geordie Williamson, The Australian

‘King shows how mantras of political correctness, via a lengthy process of ideological entrenchment to rival that of the divine right of kings, have given rise to constant pronouncements of outrage threatening freedom of speech.’

Stella Clarke, ‘Books of the Year’, The Australian

‘A coolly thoughtful analysis … This is a book about right now. The question of what is sayable, and what should be, has seldom been such a live one.’

The Guardian (UK)

‘Magnificent’

The Observer (UK)

‘One of the many pleasures of reading Richard King’s On Offence is it allows you to sift the old from the new. It appears to be an attack on political correctness. But King, an Australian author, who deserves to be better read here, is from the Left and understands that the great issues of any time are as likely to be fought out within the Left and the Right as between the Left and the Right.’

The Spectator (UK)

‘It is clear King is a fan of Clive James’ style and obvious delight in playing with language. Despite dealing with some serious topics, On Offence is filled with humour and beautifully turned phrases.’

Beck Eleven, Weekend Press, Christchurch

‘For King, a freethinking democracy provides expression for all opinions, even unpalatable ones. Exposing the hypocrisy of the current climate of overactive sensibilities, King provides examples of how the insidious infiltration of what is “acceptable” and politically correct often results in reactionary backlashes that damage the very causes they promote.’

West Australian

‘I dare say a great many people will be offended by Richard King’s On Offence. Good. They can take a deep breath, count to ten, pull themselves together, and come to terms with what King convincingly demonstrates is integral to the functioning of civil society. This is a calm, clever, and lucid book.’

Gideon Haigh

‘Superb … I read [King’s article ‘Offence Goes Viral’] on the train, furiously underlining and stifling myself from yelling out, “That’s so true!”‘

Stephen Romei, The Weekend Australian

‘A ripper of a book … Fantastic”

Steve Austin, ABC Radio Brisbane

‘Fired me up’

Andrea Goldsmith, author of The Memory Trap

‘Fascinating … This book is an invitation to rip off the muzzle and start talking.’

Good Reading

 

ANTHOLOGISED WORK

 
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