… where politics & culture meet
One theme connecting the essays is “enchantment” and its flight from societies such as our own. Modernity has given us countless things we would not want to be without, but its instrumental approach to nature and contempt for more established cultures has left us in many ways spiritually naked.
THERE WAS A popular gotcha back in the day for which tech utopians showed a special fondness. In the late 2000s and early 2010s, with conservative critics still noisily alarmed at the internet and social media, proselytisers for the new technology would dip back into history and unearth some comparable commentator whose own example was comically self-defeating.
The Doomsday Clock was effective Cold War theatre, but does it fail to convey the threat of today’s slowly unfolding existential crises?
Superficially, at least, David Rieff seems well placed to write a book about woke culture. For one thing, cultural criticism runs in the family: his parents were Susan Sontag and Philip Rieff – both intellectuals with a keen understanding of how subjectivities are shaped by social change. For another, his own work has often displayed an astute grasp of the fraught relationship between the historical, the political and the psychological.
My sense is that political cartoonists are finding it pretty difficult to encapsulate the events of the last two weeks in our sunburnt country girt by sea. Not because they are so depressing: a good cartoonist can always wring dark humour from a tragedy. But because they are so clearly self-satirising.
I first heard Peter Singer speak at the University of Western Australia (UWA) in the summer of 2009. The subject was the ethics of what we eat, and the tone of the talk was open and generous. Some in the audience were hardcore animal-rights people, as one would expect at a Singer gig. But the philosopher’s message was that ethical eating is, in fact, a pretty complex matter, bearing not only on animal welfare but also on economic justice and the environmental impact of agriculture, and that what counted as ethical behaviour in one sphere was often difficult to reconcile with ethical behaviour in others. His advice was therefore to do what we could, advice I for one resolved to follow before hogging into the free wine and nibbles around the Beaux-Arts-style reflecting pool.
My new book, Brave New Wild: Can Technology Really Save the Planet? is out and available at/through all fine book stores. And hopefully some disreputable ones too!
SIR DAVID ATTENBOROUGH’S latest documentary is very likely to be his last. Released to cinemas on his ninety-ninth birthday, Ocean has the tone of a valediction: a swan song with whale song, and a shakier iteration of that celebrated reverential rasp. Notwithstanding its five stars in The Guardian and 100% rating on Rotten Tomatoes, it is also something of... Continue Reading →
Considered in Greek mythology to be a member of the fifth generation of beings to appear after the creation of the world, Cadmus was a Phoenician prince and the founder of the Boeotian city of Thebes. A great slayer of monsters, he appears in Herodotus as the conduit through which the Phoenician alphabet was introduced... Continue Reading →
In Brandon Cronenberg’s Infinity Pool (2023), author James Foster (Alexander Skarsgård) is holidaying with his partner Em (Cleopatra Coleman) on the island of Li Tolqa, when he hits and kills a local man while driving back to his resort at night. The next day he is arrested by the authorities and told that the penalty... Continue Reading →
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